Aye...Kya Bolti Tu??

hi sir,
this is (name deleted) i need ur help its about d concept colour for my design
i did refer to d architects and d painters u had suggested me lik roberto burlmarks,picasso,wilson van gogh and luis barragan...
i got to know mch abt hw can i use colour in different ways in different places..nd d source by whc i cn shoe d colour a bit...
but i m nt still clear abt the function where i cn use this theme...i m thnking hard 4 it...i'l mail u soon 4 wateva i will thnk abt...suggest ne thng more whc wud help me d function part if possible...
thnx a lot..
ciao..

The above is the verbatim reproduction of the text of an email from an architecture student asking for cues regarding their design.

What strikes me most is the language and its structure.It is not a stand-alone piece of writing, but is rather symptomatic of the present generation's urge to communicate- more so to extract meaningful content without taking the trouble to be coherent in the writing. The scant respect shown to people's names apart from one's own, makes me wonder whether I should even bother replying to such stuff.No wonder people cannot write 100 words about their design/thesis topic/ programme, strung in a legible coherent structure and making some sense.
Though such text makes sense, it is devoid of a sentence case as is obvious, making it all the more casual perhaps even inconsequential. It is not written in a hurry, and is more of an exasperation due to a possible information overload, thanks to the internet, which is nowadays regarded as the Final Word. Such texts make me cringe.

Is this THE breakdown of language in its written form that Derrida kept revisiting?
Wren and Martin where art thee?

For millions of years mankind lived just like the animals

Then something happened which unleashed the power of our imagination

We learned to talk...
Pink Floyd: Keep Talking (Division Bell 1994)